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May 12, 2001

Well, it's been quite some time since our last update. A few months, to be exact. Things have been more than busy here at the Barrel stables; a lot has happened since February. So sit back with the drink of your choice and read on...

Welcome Aboard

First of all, we'd like to welcome our new web-designer Brad Cole to the fold. Actually, Brad has been part of the team from the start. He designed the DVD jackets and insert artwork for Nekromantik and Schramm. We were very impressed with Brad's work and decided that he was the only choice to give this page a much needed face-lift. Good work, Brad and welcome aboard!

Schramm Lebt!

After long last, Schramm has finally wraggled its way into the digital world. We could go into the reasons for the delay–the busy holiday schedule of the authoring facility, the prolonged battles with the subtitlers, and the nightmare known as replication–but we won't. What really matters is that Schramm is finally loose at a video store near you. Hear him knocking at your door? Let him into your home... You won't be disappointed.

Nekromantik News

Nekromantik will soon be going into its second pressing, for those who missed out the first time around. The discs will be packaged in black Amaray cases instead of red. There is also the possibility that the disc-art may be a little different. The plan is to have them printed with a white background, which is how they should have looked in the first place. What happened was that the printer took the white of the paper on the proofs to be the "white" of the disc, which is silver. It ended up looking pretty good, but we may give the original a whirl this time around.

We also have around 20 signed and numbered Nekromantik DVDs left. For those who don't know, Jörg signed and numbered 500 copies and each one is going for $43 priority postage paid. These are the only copies of the first pressing we have left in stock. Interested buyers for this collector's item should email us for more information on ordering and availability.

"Terry is the Answer..."

There's been a lot of speculation out there on just what our next release will be. The guesses have ranged from the sensible (Nekromantik 2) to the unbelievable (Danger! Diabolik). While the entire Jörg Buttgereit catalogue is in the works for the future, our next release will be a little more domestic. Get yourself ready for Roger Watkins' 1970s shocker The Last House on Dead End Street! All of your questions about this grindhouse classic will be answered with this one! Some have inquired as to what the "Special" in "Special Edition" means for this release. Without further adieu, here's what we have planned (and keep in mind that this is the plan and not an official announcement!):

  • The Last House on Dead End Street, presented in its full "uncut SUN" version, struck from the only known remaining film elements under the supervision of director Roger Watkins
  • Full running audio commentary by director/star Roger Watkins and Deep Red editor Chas. Balun
  • Five pre-LHODES short films by Roger Watkins, including Black Snow (1969), which was hailed by Jonas Mekas as one of the most memorable films of the year

But that's not all...

The Barrel Entertainment edition of The Last House on Dead End Street will also include the bonus of a separate compact disc–At Home With Terry Hawkins. That's right, brace yourself for 77 minutes of NEVER BEFORE HEARD phone conversations recorded by Roger Watkins during the production of the film. In this amazing relic, Roger struggles to maintain a shooting schedule, sweet talks actors, hunts for locations, and battles insanity... all in his inimitable style.

We're also including a deluxe booklet written by Headpress editor David Kerekes with illustrations by comix legend Steve (Swamp Thing, Taboo, Tyrant) Bissette! Lest we forget the usual photo gallery, original theatrical trailer, poster and video artwork, etc. Trust us on this one; we're going to do it up right!

"What about the workprint?"

Just thought we'd address this one here and now. There's been a lot of talk out there about an alternate 175-minute workprint of The Last House on Dead End Street. Well, at one point in time, it did exist. Roger Watkins spent a lot of his own time and money trying to track this version down for us. Unfortunately, as things go, it appears that this artifact is now dust. The same goes for the original 16mm camera reversal. We would have loved to work with these elements, but at the present, they seem gone forever.

Shot during the winter of 1972/73 in Oneonta, New York, the footage was edited and dubbed into the 175-minute version under its original title The Cuckoo Clocks of Hell. The film sat in limbo for a few years until it was picked up for distribution in 1977. The shoddy distribution company, who saw a potential to cash in on the success of Wes Craven's The Last House on the Left, severely truncated the film, re-edited and re-dubbed the footage, and re-titled it firstly and briefly as The Funhouse and then finally and ultimately as The Last House on Dead End Street. They also blew it up to 35mm. However, instead of blowing up the entire two hours and fifty-five minutes, they took only the footage they wanted from the 16mm source and, it is assumed, discarded the rest. And so with the complete print now considered lost or destroyed, it seems that Dead End Street has joined George Romero's Martin in the long list of films whose original cut may never be seen again.

Until next time...

OK, that's the latest. New look for the web page, Schramm out now, Last House on the way... Keep watching this space, we hope to update on a more regular basis. You never know what's lurking in the Barrel.

Thanks for your support,
Brian Krueger / John Szpunar
Barrel


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